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Goldthwaite. The Economy. – Goldthwaite Richard A. The Economy of Renaissance Florence. Baltimore: The Johns Hopkins University Press, 2009.

Gombrich. The Grotesque Heads. – Gombrich Ernst. The Grotesque Heads // The Heritage of Apelles: Studies in the Art of the Renaissance. Oxford: Phaidon, 1976. P. 57–75.

Gould. Leonardo’s Mountain of Clams. – Gould Stephen Jay. Leonardo’s Mountain of Clams and the Diet of Worms: Essays on Natural History. Cambridge, MA: Harvard University Press, 2011.

Grazzini. Flemish Weavers. – Grazzini Nello Forte. Flemish Weavers in Italy in the Sixteenth Century // Flemish Tapestry Weavers Abroad: Emigration and the Founding of Manufactories in Europe. / Ed. Guy Delmarcel. Louvain: Louvain University Press, 2002. P. 131–162.

Griffiths. Leonardo Bruni. – Griffiths Gordon. Leonardo Bruni and the 1431 Florentine Complaint Against Indulgence-Hawkers: A Case-Study in Anticlericalism // Anticlericalism in Late Medieval and Early Modern Europe / Ed. by Peter A. Dykema, Heiko A. Oberman. Leiden: Brill, 1993.

Guicciardini. The History. – Guicciardini Francesco. The History of Italy / Trans. Sidney Alexander. New York: Macmillan, 1969.

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Hartt. Leonardo and the Second Florentine Republic. – Hartt Frederick. Leonardo and the Second Florentine Republic // Journal of the Walters Art Gallery 44 (1986). P. 95–116.

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Hatfield. Some Unknown Descriptions. – Hatfield Rab. Some Unknown Descriptions of the Medici Palace in 1459 // Art Bulletin 52 (September 1970).

Heaton. Leonardo da Vinci and His Works. – Heaton Mrs. Charles W. Leonardo da Vinci and His Works. London: Macmillan, 1874.

Hedeman. Van der Weyden’s Escorial Crucifixion. – Hedeman Anne D. Van der Weyden’s Escorial Crucifixion and Carthusian Devotional Practices // The Sacred Image East and West / Ed. by Robert Ousterhout, Leslie Brubaker. Urbana: University of Illinois Press, 1995.

History of Left-Handedness. London: Souvenir Press, 1966.

Hood. Saint Dominic’s Manners of Praying. – Hood William. Saint Dominic’s Manners of Praying: Gestures in Fra Angelico’s Cell Frescoes at S. Marco // Art Bulletin 68 (June 1986). P. 195–206.

Horace. The Odes. – The Odes of Horace / Trans. by E. R. Garnsey. London: Swan Sonnenschein, 1907.

James. Signorelli and Fra Angelico. – James Sara Nair. Signorelli and Fra Angelico at Orvieto: Liturgy, Poetry and a Vision of the End-Time. Aldershot, Hants.: Ashgate, 2003.

Jansen. Like a Virgin. – Jansen Katherine L. Like a Virgin: The Meaning of the Magdalen for Female Penitents of Later Medieval Italy // Memoirs of the American Academy in Rome 45 (2000). P. 131–152.

Jansen. Maria Magdalena. – Jansen Katherine L. Maria Magdalena: Apostolorum Apostola // Women Preachers and Prophets through Two Millennia of Christianity/ Ed. Beverly Mayne Kienzle, Pamela J. Walker. Berkeley; Los Angeles: University of California Press, 1998. P. 57–96.

Janson. A History of Art. – Janson H. W. A History of Art: A Survey of the Major Visual Arts from the Dawn of History to the Present Day. London: Thames and Hudson, 1962.

Jeffrey, ed. A Dictionary of Biblical Tradition. – Jeffrey David L., ed. A Dictionary of Biblical Tradition in English Literature. Grand Rapids: William B. Eerdmans, 1992.

Jirousek. Christ and St. John the Evangelist. – Jirousek Carolyn S. Christ and St. John the Evangelist as a Model of Medieval Mysticism // Cleveland Studies in the History of Art 6 (2001). P. 6–27.

Jorio. Gesture in Naples. – Jorio Andrea de. Gesture in Naples and Gesture in Classical Antiquity / Trans. Adam Kendon. Bloomington; Indianapolis: Indiana University Press, 2000.

Kattenberg. Andy Warhol. – Kattenberg P. A. P. E. Andy Warhol, Priest: «The Last Supper Comes in Small, Medium and Large». Leiden: Brill, 2002.

Kemp, Cotte. La Bella Principessa. – Kemp Martin, Cotte Pascal. La Bella Principessa: The Story of the New Masterpiece by Leonardo da Vinci. London: Hodder & Stoughton, 2010.

Kemp. «Fate come dico, nоn fate come faccio». – Kemp Martin. «Fate come dico, nоn fate come faccio»: Lo Spazio e lo spettatore nell // Ultima Cena, Il Genio e le Passioni // Ed. Pietro Marani. Milan: Skira, 2001. P. 53–59.

Kemp. Christ to Coke. – Kemp Martin. Christ to Coke: How Image Becomes Icon. Oxford: Oxford University Press, 2011.

Kemp. Dissection and Divinity. – Kemp Martin. Dissection and Divinity in Leonardo’s Late Anatomies // Journal of the Warburg and Courtauld Institutes 35 (1972). P. 200–225.

Kemp. Experience. – Kemp Martin. Leonardo da Vinci: Experience, Experiment and Design. London: V&A Publications, 2006.

Kemp. Leonardo. – Kemp Martin. Leonardo. Oxford: Oxford University Press, 2004.

Kemp. Science and the Poetic Impulse. – Kemp Martin. Science and the Poetic Impulse // Sixteenth-Century Italian Art / Ed. Michael W. Cole. Oxford: Blackwell, 2006. P. 94–114.

Kemp. The Marvellous Works. – Kemp Martin. Leonardo da Vinci: The Marvellous Works of Nature and Man. Rev. ed. Oxford: Oxford University Press, 2006.

Kennedy. The Last Supper for the Laptop Generation. – Kennedy Randy. The Last Supper for the Laptop Generation // New York Times. 2 December 2010.

King, ed. The Fantasia of Leonardo da Vinci. – King Ross, ed. The Fantasia of Leonardo da Vinci: His Riddles, Jests, Fables and Bestiary. Delray Beach, FL: Levenger Press, 2010.

Klapisch-Zuber. Women. – Klapisch-Zuber Christiane. Women, Family and Ritual in Renaissance Italy / Trans. Lydia Cochrane. Chicago: University of Chicago Press, 1985.

Kleinhenz. Medieval Italy. – Kleinhenz Christopher. Medieval Italy: An Encyclopedia. Vol. 2. New York: Routledge, 2004.

Kurlansky. Salt. – Kurlansky Mark. Salt: A World History. New York: Walker & Co., 2002.

La Farge. The Bearded Lady. – La Farge Antoinette. The Bearded Lady and the Shaven Man: Mona Lisa, Meet Mona/ Leo // Leonardo 29 (1996). P. 379–383.

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