Ознакомительная версия. Доступно 17 страниц из 82
Chlenova M. «0.10» // Inventing Abstraction, 1910–1925: How a Radical Idea Changed Modern Art / Ed. by L. Dickerman. New York: Museum of Modern Art, 2012. P. 206–208.
Clark 2003 – Clark K. Socialist Realism and the Sacralizing of Space // The Landscape of Stalinism: The Art and Ideology of Soviet Space / Ed. by E. Dobrenko and E. Naiman. Seattle: University of Washington Press, 2003. P. 3–18.
Corbett 2004 – Corbett D. P. The World in Paint: Modern Art and Visuality in England, 1848–1914. University Park: Pennsylvania State University Press, 2004.
Cormack 1985 – Cormack R. Writing in Gold: Byzantine Society and Its Icons. New York: Oxford University Press, 1985.
Cormack 2000 – Cormack R. Byzantine Art. Oxford: Oxford University Press, 2000.
Cutler 1992 – Cutler A. Recovering St. Sophia: Cameron, Catherine II, and the Idea of Constantinople in Late Eighteenth-Century Russia // An Architectural Progress in the Renaissance and Baroque: Sojourns In and Out of Italy; Essays in Architectural History Presented to Hellmut Hager on His Sixty-Sixth Birthday / Ed. by H. A. Millon and S. S. Munshower. University Park: Pennsylvania State University Press, 1992. P. 888–909.
Dabrowski 1992 – Dabrowski M. Tatlin and Cubism // Notes in the History of Art. 1992. Spring–Summer. Vol. 11, № 3–4. P. 39–46.
de Duve 1991 – de Duve T. Pictorial Nominalism: On Marcel Duchamp’s
Passage from Painting to the Readymade. Minneapolis: University of Minnesota Press, 1991. Demus 1955 – Demus O. Byzantine Mosaic Decoration: Aspects of
Monumental Art in Byzantium. Boston: Boston Book & Art Shop, 1955. Douglas 1991 – Douglas C. Malevich and Western European Art Theory // Malevich: Artist and Theoretician / Ed. by C. Douglas, E. Petrova. Paris: Flammarion, 1991. P. 56–60.
Douglas 2007 – Douglas C. The Art of Pure Design: The Move to Abstraction in Russian and English Art and Textiles: A Meditation // Russian Art and the West: A Century of Dialogue in Painting, Architecture, and the Decorative Arts / Ed. by R. P. Blakesley, S. E. Reid. DeKalb: Northern Illinois University Press, 2007.
Drutt 2015 – In Search of 0,10: The Last Futurist Exhibition of Painting / Ed. by M. Drutt. Riehen, Basel: Fondation Beyeler, 2015.
Egorov, Yukhimenko 2006 – Egorov V., Yukhimenko E. The State Historical Museum: Treasures of History and Culture // The State Historical Museum / Ed. by A. Shkurko, E. M. Yukhimenko, V. Egorov; transl. by P. A. Aleinikov. et al. Moscow: Interbook Business Publishers, 2006.
Eichner 1957 – Eichner J. Kandinsky und Gabriele Münter: Von Ursprüngen moderner Kunst. München: Bruckmann, 1957.
Emerson 1990 – Emerson C. Russian Orthodoxy and the Early Bakhtin // Religious Thought and Contemporary Critical Theory. Special issue: Religion and Literature. 1990. Vol. 22, № 2–3. Summer–Autumn. P. 109–131.
Evans, Wixom 1997 – The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, a. d. 843–1261 / Ed. by H. C. Evans, W. D. Wixom. New York: Metropolitan Museum of Art, 1997.
Faure 1998 – Faure B. The Buddhist Icon and the Modern Gaze // Critical Inquiry. 1998. Spring. Vol. 24, № 3. P. 768–813.
Fer 1997 – Fer B. Imagining a Point of Origin: Malevich and Suprematism // Fer B. On Abstract Art. New Haven: Yale University Press, 1997. P. 7–31.
Fineberg 1984 – Fineberg J. D. Kandinsky in Paris, 1906–1907. Ann Arbor: UMI Research Press, 1984.
Forrer 1894 – Forrer R. Die Zeugdrucke der byzantinischen, romanischen, gothischen und späteren Kunstepochen. Strassburg, 1894.
Franses 2015 – Franses R. Lacan and Byzantine Art: In the Beginning Was the Image // Byzantium / Modernism: The Byzantine as Method in Modernity / Ed. by R. Betancourt, M. Taroutina. Leiden: Brill, 2015. P. 311–329.
Gabo 1962 – Gabo N. Of Divers Arts. New York: Pantheon Books, 1962.
Gaonkar 2001 – Alternative Modernities / Ed. by D. P. Gaonkar. Durham: Duke University Press, 2001.
Gatrall 2010 – Gatrall J. J. A. Introduction // Alter Icons: The Russian Icon and Modernity / Ed. by J. J. A. Gatrall, D. Greenfield. University Park: Pennsylvania State University Press, 2010. P. 1–26.
Gatrall 2014 – Gatrall J. J. A. Pictorial Blasphemy // The Real and the Sacred: Picturing Jesus In Nineteenth-Century Fiction. Ann Arbor: University of Michigan Press, 2014. P. 62–89.
Gentile 2006 – Gentile E. Politics as Religion / Transl. by George Staunton. Princeton: Princeton University Press, 2006. P. 45–68.
Gough 1999 – Gough M. Faktura: The Making of the Russian Avant-Garde // RES: Journal of Anthropology and Aesthetics. 1999. Vol. 36. Autumn. P. 32–59.
Gough 2005 – Gough M. The Artist as Producer: Russian Constructivism in Revolution. Berkeley: University of California Press, 2005.
Gough 2015 – Gough M. Architecture as Such // Malevich / Ed. by A. Borchardt-Hume. London: Tate Publishing, 2015.
Gray 1986 – Gray C. The Russian Experimentin Art, 1863–1922 / Ed. by M. Burleigh-Motley. London: Thames & Hudson, 1986.
Gregor 2012 – Gregor A. J. Leninism: Revolution as Religion // Totalitarianism and Political Religion: An Intellectual History. Stanford: Stanford University Press, 2012. P. 87–114.
Greenberg 1986 – Greenberg C. The Collected Essays and Criticism / Ed. by J. O’Brian. Vol. 2. Chicago: University of Chicago Press, 1986.
Greenfield 2010 – Greenfield D. Florensky and the Binocular Body // Alter Icons: The Russian Icon and Modernity / ed. J. J. A. Gatrall, D. Greenfield. University Park: Pennsylvania State University Press, 2010. P. 191–206.
Grohmann 1958 – Grohmann W. Wassily Kandinsky: Life and Work. New York: Harry N. Abrams, 1958.
Heller 1983 – Heller R. Kandinsky and Traditions Apocalyptic // Art Journal. 1983. Spring. Vol. 43, № 1. P. 19–26.
Hilton 1969–1970 – Hilton A. Matisse in Moscow // Art Journal. 1969–1970. Winter. Vol. 29, № 2. P. 166–173.
Isdebsky-Pritchard 1982 – Isdebsky-Pritchard A. The Art of Mikhail Vrubel (1856–1910). Ann Arbor: UMI Research Press, 1982.
Isdebsky-Pritchard 1986 – Isdebsky-Pritchard A. Art for Philosophy’s Sake: Vrubel Against «the Herd» // Nietzsche in Russia / Ed. by B. G. Rosenthal. Princeton: Princeton University Press, 1986. P. 219–248.
James 2004 – James L. Sense and Sensibility in Byzantium // Art History. 2004. Vol. 27, № 4. P. 523–537.
Jung 1970 – Collected Works of C. G. Jung. Vol. 8: The Structure and Dynamics of the Psyche / Ed. by M. Fordham; transl. by R. F. C. Hull. 2nd ed. Princeton: Princeton University Press, 1970.
Kalb 2008 – Kalb J. E. Russia’s Rome: Imperial Visions, Messianic Dreams, 1890–1940. Madison: University of Wisconsin Press, 2008.
Karginov 1979 – Karginov G. Rodchenko. London: Thames & Hudson, 1979.
Kean 1983 – Kean B. W. All the Empty Palaces: The Great Merchant Patrons of Modern Art in Pre-Revolutionary Russia. New York: Universe Books, 1983.
Kelly 2016 – Kelly M. M. F. Unorthodox Beauty: Russian Modernism and Its New Religious Aesthetic. Evanston: North-western University Press, 2016.
Kennedy 1982 – Kennedy J. Lermontov’s Legacy: Mikhail Vrubel’s Seated Demon and Demon Downcast // Transactions of the Association of Russian-American Scholars in the U.S.A. 1982. № 15. P. 163–184.
Kizenko 2013 – Kizenko N. Feminized Patriarchy? Orthodoxy and Gender in Post-Soviet Russia // Signs. 2013. Vol. 38, № 3. P. 595–621.
Költzsch 1993 – Morozov, Shchukin: The Collectors; Monet to Picasso; 120 Masterpieces from the Hermitage, St. Petersburg, and the Pushkin Museum, Moscow / Ed. by G.-W. Költzsch. Bonn: Bild-Kunst,
Ознакомительная версия. Доступно 17 страниц из 82