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Corby P. Seeing Beyond the Word: Visual Arts and the Calvinist Tradition. Grand Rapids, MI, and Cambridge: W. B. Eerdmans, 1999.

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Dillenberger J. Images and Relics: Theological Perceptions and Visual Images in Sixteenth-Century Europe. New York: Oxford University Press, 1999.

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_____. Reformations: The Early Modern World. New Haven, CT: Yale University Press, 2016.

Eisenstein E. The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early Modern Europe. Cambridge: Cambridge University Press, 1979.

_____. An Unacknowledged Revolution Revisited // American Historical Review 107, no. 1 (2002): 87–105.

_____. The Printing Revolution in Early Modern Europe, 2nd (ed.). Cambridge: Cambridge University Press, 2005.

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_____. Two Forewords to the Latin Translation of the New Testament // The Praise of Folly and Other Writings. Trans. R. M. Adams. New York: Norton, 1989.

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Fairfield L. P. John Bale: Mythmaker for the English Reformation. West Lafayette, IN: Purdue University Press, 1976.

Febvre L. and Martin H.-J. L’apparition du livre. Paris: A. Michel, 1958.

_____. The Coming of the Book: The Impact of Printing, 1450–1800, 3rd (ed.). London: Verso, 2000.

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Finucane R. C. Miracles and Pilgrims: Popular Beliefs in Medieval England. London: J. M. Dent, 1977.

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