– Russell E. A. Let It Bleed: The Rolling Stones, Altamont, and the End of the Sixties. N.Y.: Springboard Press, 2009.
– Russel G. Lydian Chromatic Concept of Tonal Organization. In 2 Vols. Brookline: Concept Publishing Company, 2001. Vol. I: The Art and Science of Tonal Gravity.
– Russell J. The Beat Generation. Harpenden: Pocket Essential, 2002.
– Sabin R. Introduction // Punk Rock: So What? The Cultural Legacy of Punk / R. Sabin (ed.). L., N.Y.: Routledge, 1999.
– Sachs J. Henry Cowell: A Man Made of Music. Oxford; N. Y.: Oxford University Press, 2012.
– Santoro G. Highway 61 Revisited: The Tangled Roots of American Jazz, Blues, Rock, & Country Music. N. Y.: Oxford University Press, 2004.
– Santoro G. Myself When I Am Real: The Life and Music of Charles Mingus. Oxford; N. Y.: Oxford University Press, 2000.
– Sanchez L. A. The Beach Boys’ Smile. N.Y., L.: Bloomsbury, 2014.
– Saul S. Freedom is, Freedom ain’t: Jazz and the Making of the Sixties. Cambridge; L.; Harvard University Press, 2005 – Saxton A. Blackface Minstrelsy // Inside the Minstrel Mask: Readings in Nineteenth- century Blackface Minstrelsy / A. Bean, J. V. Hatch, B. McNamara (eds.). Hanover; L.: Wesleyan University Press, 1996.
– Savage J. England’s Dreaming: Anarchy, Sex Pistols, Punk Rock, And Beyond. N.Y.: St. Martin’s Press, 1992.
– Savage J. Teenage: The Creation of Youth Culture. L.: Chatto & Windus, 2007.
– Schafer J. K. Brothels, Depravity, and Abandoned Women: Illegal Sex in Antebellum New Orleans. Baton Rouge: Louisiana State University Press, 2009.
– Schiffer M. B., Hollenback K. L., Bell C. L. Draw the Lightning Down: Benjamin Franklin and Electrical Technology in the Age of Enlightenment. Berkeley: University of California Press, 2003.
– Schinder S., Schwartz A. Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever. Westport; L.: Greenwood Press, 2008.
– Schleifer R. Modernism and Popular Music. Cambridge: Cambridge University Press, 2011.
– Schloss J. G. Foundation: B- Boys, B- Girls, and Hip-Hop Culture in New York. Oxford; N.Y.: Oxford University Press, 2009.
– Schloss J. G. Making Beats: The Art of Sample- Based Hip-Hop. Middletown: Wesleyan University Press, 2004.
– Schmidt J. Mephistopheles in Hollywood: Adorno, Mann, and Schoenberg // The Cambridge Companion to Adorno / T. Huhn (ed.). Cambridge, N. Y.: Cambridge University Press, 2006. – Schoenberg’s Early Correspondence 1891— May 1907 / E. Haimo, S. Feisst (eds.). Oxford; N. Y.: Oxford University Press, 2016.
– Schoenberg A. Theory of Harmony. Berkeley; L. A.: University of California Press, 1978.
– Schonberg H. C. Music: Leon Theremin, Inventor of Instrument Bearing His Name Is Interviewed in the Soviet Union // The New York Times. 26.04.1967.
– Schuller G. Early Jazz: Its Roots and Musical Development. N. Y: Oxford University Press, 1968.
– Schuller G. Musings: The Musical Worlds of Gunther Schuller. Oxford: Oxford University Press, 1986.
– Schur R. L. Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law. Ann Arbor: The University of Michigan Press and The University of Michigan Library, 2009.
– Schwartz R. F. How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Aldershot: Ashgate, 2007.
– Scotto R. Moondog, the Viking of 6th Avenue: The Authorized Biography. N.Y.: Process, 2007.
– Segrave K. Jukeboxes: An American Social History. Jefferson: McFarland, 2002. – Selected correspondence of Charles Ives / T. C. Owens (ed.). Berkeley; L. A.: University of California Press, 2007. – The Selected Letters of John Cage / L. Kuhn (ed.). Middletown: Wesleyan University Press, 2016.
– Serrano S. The Rap Year Book: The Most Important Rap Song from Every Year Since 1979 Discussed, Debated, and Deconstructed. N. Y.: Abrams, 2015.
– Shaw A. Honkers and Shouters: The Golden Years of Rhythm and Blues. N.Y.: Collier/Macmillan, 1978.
– Shaw A. The Jazz Age. Oxford; N. Y.; Toronto: Oxford University Press, 1987.
– Shapiro P. Turn the Beat Around: The Secret History of Disco. N. Y.: Farrar, Straus and Giroux, 2005.
– Shim E. Lennie Tristano: His Life in Music. Ann Arbor: University of Michigan Press, 2010.
– Shipton A. Fats Waller: The Cheerful Little Earful. L.; N. Y.: Continuum, 2002.
– Shipton A. Groovin’ High: The Life of Dizzy Gillespie. Oxford; N. Y.: Oxford University Press, 1999.
– Shuker R. Popular Music: The Key Concepts. L.; N. Y.: Routledge, 2005.
– Shultis C. Silencing the Sounded Self: John Cage and the American Experimental Tradition. Hanover; L.: University Press of New England, 1998.
– Silver H. Let’s Get to the Nitty Gritty: The Autobiography of Horace Silver. Berkeley; L. A.; L.: University of California Press, 2006.
– Silverman K. Begin Again: A Biography of John Cage. N. Y.: Alfred A. Knopf, 2010.
– Simms B. R. The Atonal Music of Arnold Schoenberg 1908–1923. Oxford; N. Y.: Oxford University Press, 2000. – Situationist International Anthology / K. Knabb (ed.). Berkeley: Bureau of Public Secrets, 2006.
– Slawenski K. J. D. Salinger: A Life. N.Y.: Random House, 2010.
– Smith K. L. Popular Dance: From Ballroom to Hip-Hop. N. Y.: Chelsea House, 2010.
– Smith S. Hip-Hop Turntablism, Creativity and Collaboration. Farnham: Ashgate, 2013.
– Smith T. R. Southern Queen: New Orleans in the Nineteenth Century. L.; N. Y.: Continuum, 2011.
– Smith K. Skryabin, Philosophy and the Music of Desire. N. Y.: Routledge, 2013.
– Solis G. Monk’s Music: Thelonious Monk and Jazz History in the Making. Berkeley; L. A.: University of California Press, 2008.
– Spitz B. Yeah! Yeah! Yeah! The Beatles, Beatlemania, and the Music That Changed the World. N.Y., Boston: Little, Brown and Company, 2007.
– Springhall J. Youth, Popular Culture and Moral Panics: Penny Gaffs to Gangsta- Rap, 1830–1996. Houndmills; L.: Macmillan Press, 1998.
– Stark S. D. Meet the Beatles: A Cultural History of the Band that Shook Youth, Gender, and the World. N. Y.: PerfectBound, 2005.
– Starr K. Golden Dreams: California in an Age of Abundance, 1950–1963. Oxford; N. Y.: Oxford University Press, 2009.
