– Gura P. F. American Transcendentalism: A History. N.Y.: Hill and Wang, 2007.
– Gushee L. Pioneers of Jazz: The Story of the Creole Band. Oxford; N. Y.: Oxford University Press, 2005.
– Haddix C. Bird: The Life and Music of Charlie Parker. Urbana; Chicago; Springfield: University of Illinois Press, 2013.
– Hadlock R. Jazz Masters of the Twenties N. Y.: Collier Books/ A Division of Macmillan Publishing Co., Inc., L.: Collier Macmillan Publishers, 1965.
– Haimo E. The Rise and Fall of Radical Athematicism // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.
– Haimo E. Schoenberg and the Origins of Atonality // Constructive Dissonance: Arnold Schoenberg and the Transformations of Twentieth- Century Culture / J. Brand, C. Hailey. Berkeley; L. A.; L.: University of California Press, 1997.
– Hall S., Whannel P. The Young Audience // On Record: Rock, Pop, and the Written Word / S. Frith, A. Goodwin (eds.). N. Y.:
Routledge, 1990.
– Hamilton A. Aesthetics and Music. L.; N. Y.: Continuum, 2007.
– Hanley J. J. Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975–1996. A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Music (Music History). Stony Brook: Stony Brook University, 2011.
– Hannerz E. Performing Punk. N.Y.: Palgrave Macmillan, 2015.
– Hampshire J. Citizenship and Belonging: Immigration and the Politics of Demographic Governance in Postwar Britain. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.
– Harker B. Louis Armstrong’s Hot Five and Hot Seven Recordings. N. Y.: Oxford University Press, 2011.
– Harkness G. Chicago Hustle and Flow: Gangs, Gangsta Rap, and Social Class. Minneapolis, L.: University of Minnesota Press, 2014.
– Harrison A. K. Hip Hop Underground: The Integrity and Ethics of Racial Identification. Philadelphia: Temple University Press, 2009.
– Harry B. The British Invasion: How the Beatles and other UK Bands Conquered America. New Malden: Chrome Dreams, 2004.
– Havranek C. Women Icons of Popular Music: The Rebels, Rockers, and Renegades. L., Westport: Greenwood Press, 2009.
– Hear Me Talkin’ to Ya: The Story of Jazz by the Men Who Made It / N. Shapiro, N. Hentoff (eds.). N. Y.; Toronto: Rinehart & Company, Inc., 1955.
– Hebdige D. The Meaning of Mod // Resistance Through Rituals: Youth Subcultures in Post- war Britain / S. Hall, T. Jefferson (eds.). L.; N. Y.: Routledge, 1991.
– Hebdige D. Reggae, Rastas & Rudies // Resistance Through Rituals: Youth Subcultures in Post- war Britain / S. Hall, T. Jefferson (eds.). L.; N. Y.: Routledge, 1991.
– Hebdige D. Style as Homology and Signifying Practice // On Record: Rock, Pop, and the Written Word / S. Frith, A. Goodwin (eds.). N. Y.: Routledge, 1990.
– Hebdige D. Subculture: The Meaning of Style. L.; N. Y.: Routledge, 2002.
– Heble A. Landing on the Wrong Note: Jazz, Dissonance, and Critical Practice. N. Y.; L.: Routledge, 2002 – Henriques J. Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing. N. Y.: Continuum, 2011.
– Herczog M. Frommer’s New Orleans 2009. Hoboken: Wiley Publishing, 2009.
– Hess M. Beastie Boys // Icons of Hip Hop: An Encyclopedia of the Movement, Music, And Culture / M. Hess (ed.). L.; Westport: Greenwood Press, 2007. V. 1.
– Heylin C. From the Velvets to the Voidoids: The Birth of American Punk Rock. Chicago: Chicago Review Press, 1993.
– Higgs J. I Have America Surrounded: The Life of Timothy Leary. Fort Lee: Barrickade Books, 2006.
– Hill B. American Popular Music: Classical. N. Y.: Facts On File, 2006.
– Hill C. C. Saint Thomas Aquinas and the Theme of Truth in Messiaen’s Saint François d’Assise // Messiaen’s Language of Mystical Love / S. Bruhn (ed.). Abingdon, N. Y.: Routledge, 2012.
– Hobsbawm E. The Jazz Scene. L.: Faber & Faber, 2014.
– Hodgkinson T. An interview with Pierre Schaeffer – Pioneer of Musique Concrète // ReR Quarterly magazine, 1987. V. 2. № 1. URL.: http://www.timhodgkinson.co.uk/articles.html.
– Hoffmann F. Rhythm and Blues, Rap, and Hip-Hop. N. Y.: Facts On File, 2006.
– Hoggart R. The Uses Of Literacy: Aspects of Working Class Life with Special Reference to Publications and Entertainments. L., Fakenbam; Reading: Penguin Books, 1960.
– Holman M. Breaking: The History // That’s the Joint!: The HipHop Studies Reader / M. A. Neal, M. Forman (eds). N. Y.; L.: Routledge, 2004.
– Holmes T. Jazz. N. Y.: Facts On File, 2006.
– Holmes T. Electronic and Experimental Music: Pioneers in Technology and Composition. N. Y.; L.: Routledge, 2002.
– Holm-Hudson K. J. Foreword to Morrison C. Rock and Roll. N. Y.: Facts On File, 2006.
– Holmstrom J. Ramones (Interview) // Punk: The Original / J. Holmstrom (ed.). N.Y.: Trans- High Publishing Corp., 1996.
– Holt F. Genre in Popular Music. Chicago; L.: The University of Chicago Press, 2007.
– Horn D. The Identity of Jazz // The Cambridge Companion to Jazz / M. Cooke, D. Horn (eds.). N. Y.: Cambridge University Press, 2002.
– Horton D. The Dialogue of Courtship in Popular Song // On Record: Rock, Pop, and the Written Word / S. Frith, A. Goodwin (eds.). N. Y.: Routledge, 1990.
– Hoskyns B. Glam! Bowie, Bolan and the Glitter Rock Revolution. L.: Backpages, 2011.
– Howes K. K. Harlem Renaissance. Detroit; San Francisco; Boston; Woodbridge; L.: UXL, 2001.
– Hubs N. Rednecks, Queers, and Country Music. Berkeley: University of California Press, 2014.
– Hull G. P. The Recording Industry. N. Y.; L.: Routledge, 2004.
– Hulme T. Speculations: Essays on Humanism and the Philosophy of Art. London: Routledge, 1924.
– Hugill A. The Origins of Electronic Music / The Cambridge Companion to Electronic Music // N. Collins, J. d’Escriván (eds.). N. Y.: Cambridge University Press, 2007.
– Huxley D. ‘Ever Get the Feeling You’ve Been Cheated?’: Anarchy and control in the Great Rock ’n’ Roll Swindle // Punk Rock: So What? The Cultural Legacy of Punk / R. Sabin (ed.). L., N.Y.: Routledge, 1999.
– Iddon M. New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez. Cambridge: N. Y.: Cambridge University Press, 2013.