Lionel. Optimism: The Biology of Hope. New York: Simon & Schuster, 1979.
Tinbergen, Nicolaas. The Herring Gull's World. London: Collins, 1967.
___. Social Behavior in Animals. London: Methuen, 1953.
___. The Study of Instinct. London: Oxford University Press, 1951.
von Frisch, Karl. Animal Architecture. New York: Harcourt Brace Jovanovich, 1978.
___. Bees, Their Vision, Chemical Senses and Language. London: Jonathan Cape, 1968.
___. The Dancing Bees. London: Methuen, 1966.
___. Man and the Living World. New York: Harvest, 1963.
Wickler, Wolfgang. Mimicry in Plants and Animals. London: Wiedenfeld and Nicholson, 1968.
Wilson, Edward O. Sociobiology. Cambridge, Massachusetts: Harvard University Press, 1974.
___and Lumsden, Charles]. Promethian Fire. Cambridge, Massachusetts: Harvard University Press, 1974.
Wilson-Hoffenden, J. R. The Red Men of Nigeria. London: Frank Cass Ltd., 1967.
Wylie, Philip- The Magic Animal. New York: Doubleday, 1968.
Zipf, George K. Human Behavior and the Principle of Least Effort: an Introduction to Human Ecology. Boston: Addison-Wesley Press, 1949.
Эргономика, инженерная психология и человеческий фактор в дизайне
Alger, John R.M., and Hays, Carl V. Creative Synthesis in Design. New York: Prentice-Hall, 1962.
Anthropometry and Human Engineering. London: Butterworth's, 1955.
Asimov, Morris. Introduction to Design. New York: Prentice-Hall, 1962.
Banham, Reyner. Theory and Design in the First Machine Age. London: Architectural Press, 1960.
Buhl, Harold R. Creative Engineering Design. Ames, Iowa: Iowa State University Press, 1960.
Consumers' Union (ed.). Passenger Car Design and Highway Safety. Mount Vernon, New York: Consumers Union, 1963.
Diffrient, Niels; Tilley, Alvin; and Bardagjy, Joan. Humanscale 1/2/3.
Cambridge: M.I.T. Press, 1974.
___. Humanscale 4/5/6. Cambridge: M.I.T. Press, 1981.
___. Humanscale 7/8/9. Cambridge: M.I.T. Press, 1981.
Glegg, Gordon L. The Design of Design. Cambridge: Cambridge University Press, 1969.
Goss, Charles Mayo (ed.). Gray's Anatomy. (27th ed.) Philadelphia: Lea & Febiger, 1959.
Jones, J. Christopher, and Thronley, D.G. Conference on Design Methods. New York: Permagon Press, 1963.
McCormick, Ernest Jr. Human Engineering. New York: McGraw-Hill, 1957.
Nader, Ralph. Unsafe at any Speed. New York: Grossman, 1965.
Schroeder, Francis. Anatomy for Interior Designers. (2d ed.) New York: Whitney Publications, 1948.
Stair, Martin Kenneth. Product Design and Decision Theory. New York: Prentice-Hall, 1963.
U.S. Navy (ed.). Handbook of Human Engineering Data (Second Edition) U.S.
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Woodson, Wesley, E. Human Engineering Guide for Equipment Designers. Berkeley: University of California Press, 1954.
Образ, восприятие и творчество
Adorno, T.W. et al. The Authoritarian Personality. New York: Harper, 1950
Allport, Floyd. Theories of Perception and the Concept of Structure. New York: Wiley, 1955.
Berne, Dr. Eric. Games People Play. London: Penguin, 1970.
___. Principles of Group Treatment. London: Oxford University Press, 1966.
___. The Structure and Dynamics of Organizations and Groups. New York: J.B. Lippincott, 1963.
___. Transactional Analysis in Psychotherapy. New York: Grove Press, 1961.
Bettelheim, Bruno. The Empty Fortress: Infantile Autism and the Birth of the Self. New York: Free Press, 1967.
___. The Informed Heart: Autonomy in a Mass Age. London: Paladin, 1970.
DeBono, Edward. New Think. New York: Basic Books, 1968.
Freud, Sigmund. Beyond the Principle. Translated by Strachey. London: Hogarth Press, 1961.
___. Moses and Monotheism. Translated by Jones. London: Hogarth Press, 1951.
___. On Creativity and the Unconscious. New York: Torch-books, n.d.
___. Totem and Taboo. Translated by Brill. London: Routledge & Kegan Paul, 1950.
Fromm, Erich. The Art of Loving. London: Alien & Unwin, 1957.
___. The Revolution of Hope. New York: Harper, 1968.
Ghiselin, Brewster (ed.). The Creative Process. New York: Mentor Books.
Gibson, James J. The Perception of the Visual World. Boston: Hough ton Mifflin, 1950.
Gordon, William J.J. Synectics. New York: Harper, 1961.
Gregory, R.L. The Intelligent Eye. London: Wiedenfield & Nicholson, 1970.
Gregory, R.L., and Gombrich, E. H. (eds.). Illusion in Nature and Art. London: Duckworth, 1973.
Grotjahn, Martin. Beyond Laughter. New York: McGraw-Hill, 1957.
Gunther, Bernard. Sense Relaxation. London: MacDonald, 1969.
Jung, C.G. Archetypes and the Collective Unconscious. 2 vols. London: Routledge & Kegan Paul, 1922.
___. Psychology of the Unconscious. London: Routledge & Kegan Paul, 1922.
Katz, David. Gestalt Psychology. New York: Ronald Press, 1950.
Koehler, Wolfgang. Cestalt Psychology, rev. ed. New York: Liverigb, 1970.
Koehler, Arthur. The Act oj Creation. London: Hutchinson, 1969.
Kofka, K. Principles of Gestalt Psychology. London: Routledge & Kegan Paul, 1935.
Korzybski, Alfred. The Manhood oj Humanity. Chicago: Library of General Semantics, 1950.
___. Science and Sanity. Chicago: Library of General Semantics,1948.
Kubie, Lawrence S. The Neurotic Distortion oj the Creative Process. Lawrence, Kansas: The University of Kansas Press, 1958.
Leonard, George B. Education and Ecstasy. London: John Мurray, 1970.
Lindner, Robert. Must You Conform? New York: Rinehart, 1956.
__. Prescription for Rebellion. New York: Rinehart, 1952.
Neumann, Erich. The Archetypal World of Henry Moore. London: Routledge & Kegan Paul, 1959.
Parnes, Sidney, and Harding, H. A Source Book of Creative Thinking. New York: Scribner, 1962.
Peris, F.S. Ego, Hunger and Aggression. New York: Random Houses, 1969.
___. Gestalt Therapy Verbatim. Edited by J. Stephens. Lafayette, California: Real People Press, 1969.
___. In and Out of the Garbage Pail. Lafayette, California: Real People Press, 1969.
Petermann, Bruno. The Gestalt Theory and the Problem of Configuration. New York: Harcourt, Brace, 1932.
Rawlins, Ian. Aesthetics and the Gestalt. London: Nelson, 1953.
Reich, Wilhelm. The Cancer Biopathy. New York: Orgone Institute Press, n.d.
___. The Function of the Orgasm. London: Panther, 1968.
___. The Mass Psychology oj Fascism. New York: Orgone Institute Press, 1946.
___. Selected Writings: An Introduction to Orgonomy. New York: Vision Press, 1972.
___. The Sexual Revolution. New York: Vision Press, 1969.
Rolf, Dr. Ida P. Structural Integration. Santa Monica, California: Esalen Press, 1962.
Ruesch, Jurgen. Communication. New York: Norton, 1951.
___. Disturbed Communication. New York: Norton, 1957.
___. Non-Verbal Communication. Berkeley: University of California Press, 1956.
Shanks, Michael. The Innovators. Middlesex: Penguin, 1967.
Smith, Paul. Creativity. New York: Hastings House, 1959.
Spence, Lewis. Myth and Ritual in Dance, Came and Rhyme. London: Watts Ltd., 1947.
Vernon, Magdalen D. A Further Study of Visual Perception. Cambridge: Cambridge University Press,
