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August, 1969.

Blake, Peter. Form Follows Fiasco. Boston: Atlantic, Little, Brown,1977.

Bootzin, D., and Muffley, H.C. (eds.). Biomechanics. New York: Plenum Press, 1969.

Borrego, John. Space Grid Structures. Cambridge, Massachusetts: M.I.T. Press, 1968.

Boys, С V. Soap-Bubbles. London: Heinemann Educational Books, 1960.

Brand, Stewart (ed.). The Whole Earth Catalog (all issues). Menlo Park, California, 1968–1970.

Burkhardt, Dietrich; Schleidt, Wolfgang; and Altner, Helmut. Signals in the Animal World. London: Alien & Unwin, 1967.

Clark, Sir Kenneth. The Nude. Middlesex: Penguin, 1970.

Cook, Theodore Andrea. The Curves of Life. London: Constable & Co., 1940.

Critchlow, Keith. Order in Space. London: Thames & Hudson, 1969.

Cundy, M. Martyn, and Roller., A.P. Mathematical Models. (2d ed.). New York: Oxford University Press, 1962.

Doczi, Gyorgy. The Power of Limits: Proportional Harmonies in Nature, Art and Architecture. Boulder, Colorado: Shambhala Publications, 1981.

Fathy, Hassan. Architecture for the Poor. Chicago: University of Chicago Press, 1973.

Ganich, Rolf. Konstruktion, Design, Aesthetik, Germany: Esslingen am Neckar, 1968.

Gerardin, Lucien. Bionics. London: Weidenfeld & Nicolson, 1968.

Grille, Paul Jacques. What Is Design? Chicago: Paul Theobald, 1962.

Hertel, Heinrich. Structure, Form and Movement: Biology and Engineering. New York: Van Nostrand Reinhold, 1966.

Heythum, Antonin. On Art, Beauty and the Useful. Stierstadt im Taunus, Germany: Verlag Eremiten-Presse, 1955.

Hoenich, P.K. Robot Art. Haifa, Israel: Technion, 1962.

Holden, Alan, and Singer, Phyllis. Crystals and Crystal Crowing. London: Heinemann Educational Books, 1961.

Huntley, H.E. The Divine Proportion. New York: Dover, 1970.

Jenny, Hans. Cymatics: The Structure and Dynamics of Waves and Vibrations. Basel: Basilius Presse, 1967.

Kare, Morley, and Bernard, E.E. (eds.). Biological Prototypes and Manmade Systems. New York: Plenum Press, 1962.

Kanavolos, William. Organic. Hilversum, Holland: De Jong & Co., 1961.

Keller. Goroslav. Dizajn. Zagreb: Vjesnik, 1975.

___. Ergonomija za Dizajnere. Belgrade: «Ergonomija» 1978.

Lawlor, Robert. Sacred Geometry. New York: Crossroad, 1982.

Hegroponte Nicholas. The Architecture Machine. Cambridge, Massachusetts: M.I.T. Press, 1970.

Oliver, Paul. Shelter and Society. London: Barrie & Jenkins, 1970.

___. Shelter in Africa. New York: Praeger, 1971.

___. Shelter, Sign and Symbol. New York: The Overlook Press, 1977.

Otto, Frei (ed.). Pneumatic Structures, Vol. 1 of Tensile Structures. Cambridge, Massachusetts: M.I.T. Press, 1967.

___. Cables, Nets and Membranes, Vol. 2 of Tensile Structures. Cambridge, Massachusetts: M.I.T. Press, 1969.

Pawlowski, Andrzej. Fragmenty Prac Naukowo-Badawczych. Krakau, Poland, 1966.

Pearce, Peter. Structure in Nature is a Strategy for Design. Cambridge, Massachusetts: M.I.T. Press, 1978.

Pearce, Peter, and Pearce, Susan. Experiments in Form. New York: Van Nostrand Reinhold, 1978.

___. Polyhedra Primer. New York: Van Nostrand Reinhold, 1978.

Popko, Edward. Geodesies. Detroit: University of Detroit Press, 1968.

Ritterbush, Philip C. The Art of Organic Forms. Washington, D.C.: Smithsonian Press, 1968.

Schillinger, Joseph. The Mathematical Basis of the Arts. New York: Philosophical Library, 1948.

Schwenk, Theodor. Sensitive Chaos: The Creation of Flowing Forms in Water and Air. Rudolf Steiner Press, 1965.

Selle, Gert. Ideologic und Utopie des Design. Cologne: DuMont, 1973.

Sinnott, Edmund W. The Problem of Organic Form. New Haven, Connecticut: Yale University Press, 1963.

Thompson, Sir D'Arcy Wentworth. On Growth and Form (2 vols.). Cambridge: Cambridge University Press, 1952.

Turner, John F. С Housing by People: Towards Autonomy in Building Environments. London: Marion Boyars Ltd., 1976.

Watkin, David. Morality and Architecture. Oxford: Clarendon Press, 1977.

Wedd, Dunkin. Pattern & Texture. New York: Studio Books, 1956.

Weyl, Hermann. Symmetry. Princeton, New Jersey: Princeton University Press, 1952.

Whyte, Lancelot Law. Accent on Form. New York: Harper, 1954.

___.Aspects of Form. London: Lund Humphries, 1951.

___. The Next Development in Man. New York: Mentor, 1950.

Williams, Christopher. Origins of Form. New York: Architectural Book Publishing Company, 1981.

Zodiac (magazine). Vol. 19. Milan, Italy, 1969.

Дизайн и окружающая среда

Arvill, Robert. Man and Environment. Middlesex: Penguin, 1967.

Baer, Steve. Sunspots. Seattle: Cloudburst Press, 1979.

Boughey, Arthur S. Ecology of Populations. New York: Macmillan, 1968.

Calder, Ritchie. After the Seventh Day. New York: Mentor, 1967.

Commoner, Barry. Science and Survival. London: Gollancz, 1966.

Consumer's Association of Penang. Development and the Environmental Crisis: A Malaysian Case.

Penang: Consumer's Association of Penang, 1982.

Curtis, Richard, and Hogan, Elizabeth. Perils of the Peaceful Atom. London: Gollancz, 1970.

DeBell, Garrett (ed.). The Environmental Handbook. New York: Ballantine, 1970.

Dubos, Rene. Celebrations of Life. New York: McGraw-Hill, 1981.

___. Man, Medicine, and Environment. Middlesex: Penguin, 1970.

___. The Wooing of Earth. New York: Charles Scribner, 1980.

Ehrlich, Paul. «Eco-Catastrophe!» Ramparts, September, 1968.

___. The Population Bomb. New York: Ballantine, 1970.

Giedion, Siegfried. Mechanization Takes Command. New York: Oxford University Press, 1948.

___. Space, Time and Architecture. Cambridge, Massachusetts: Harvard University Press, 1949.

___. The Beginnings of Architecture. Vol. 2. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1964.

___. The Eternal Present: The Beginnings of Art. Vol. 1. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1962.

Johnson, Warren. Muddling Tdward Frugality. San Francisco: Sierra Club Books, 1978.

Kaprow, Allan. Assemblage, Environments and Happenings. New York: Abrams, 1966.

Kouwenhoen, John A. The Beer Can by the Highway. New York: Doubleday, 1961.

___. Haifa Truth is Better than None.

___. Chicago: University of Chicago Press, 1982.

___. Made in America. New York: Doubleday, 1948.

Kuhns, William. Environmental Man. New York: Harper & Row, 1969.

Linton, Ron. Terracide: America's Destruction of Her Living Environment. Boston: Little, Brown, 1970.

Lippard, Lucy R. Overlay: Contemporary Art and the Art of Pre-History. New York: Pantheon, 1983.

Lovelock, J. E. Gaia: A New Look at Life on Earth. New York: Oxford University Press, 1979.

Lynes, Russell. The Tastemakers. New York: Harper, 1954.

___. Confessions of a Dilettante. New York: Harper & Row, 1967.

___. 'The Domesticated Americans. New York: Harper & Row, 1963.

McHarg, Ian L. Design with Nature. New York: Natural History Press, 1969.

Marine, Gene. America the Raped: The Engineering Mentality and the Devastation of a Continent. New York: Simon & Schuster, 1969.

Marx, Wesley. The Frail Ocean. New York: Ballantine, 1970.

Mitchell, John G. (ed.).Ecotactics. New York: Pocketbooks, 1970.

Mollison, Bill. Perma-Culture One. Melbourne: Transworld, 1978.

___. Perma-Culture Two. Stanley, Tazmania: Tagari Books, 1979.

Mumford, Lewis. Technics and Civilization. New York: Harcourt, Brace, 1934.

___. The

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