148
King D. A. Astronomical alignments in medieval Islamic architecture // Annals of the New York Academy of Sciences. December 2006. P. 303–312.
149
Grabar O. The Great Mosque of Isfahan. New York, 1990.
150
Al-Khalili J. Pathfinders: The Golden Age of Arabic Science. London, 2010.
151
Bloom J. M. Paper before Print: The History and Impact of Paper in the Islamic World. New Haven, CT; London, 2001.
152
Lindberg D. C. Theories of Vision from al-Kindi to Kepler. Chicago, IL, 1976.
153
Коран. 24:35.
154
Коран. 87:4–5.
155
Цит. по: Sims E., Marshak B. I., Grube E. J. Peerless Images: Persian Painting and Its Sources. New Haven, CT; London, 2002. P. 41.
156
Muhammad D. Preface to the Bahram Mirza album // A Century of Princes: Sources on Timurid History and Art / selected and trans. W. M. Thackston. Cambridge, MA, 1989. P. 335–350.
157
Sims E., Marshak B. I., Grube E. J. Peerless Images. Op. cit. P. 31.
158
Grabar O., Blair S. Epic Images and Contemporary History: The Illustrations of the Great Mongol Shahnama. Chicago, IL, 1980.
159
The Adventures of Hamza: Painting and Storytelling in Mughal India. Exh. cat., Freer Gallery of Art, Washington / eds. J. Seyller, with contributions from W. M. Thackston, E. Koch, A. Owen, R. Franz. Washington, DC, 2002.
160
Цит. по: Chandra P., Ehnbom D. J. The Cleveland Tuti-nama Manuscript and the Origins of Mughal Painting. Cleveland, OH, 1976. P. 182–183.
161
Maclagen E. The Jesuits and the Great Mogul. London, 1932. P. 242–267.
162
Begley W. E. The myth of the Taj Mahal and a new theory of its symbolic meaning // The Art Bulletin. Vol. 61. No. 1. March 1979. P. 7–37.
163
Ibid. P. 33.
164
Gameson R., Beeby R., Duckworth A., Nicholson C. Pigments of the earliest Northumbrian manuscripts // Scriptorium, 69. 2016, P. 33–59.
165
Webster L. Anglo-Saxon Art. London, 2006. P. 8.
166
Беовульф. Эпосы, легенды и сказания / пер. В. Тихомирова, А. Корсуна, Ю. Корнеева. М., 1975.
167
MacLean D. The date of the Ruthwell Cross // The Ruthwell Cross / ed. B. Cassidy. Princeton, NJ, 1992. P. 49–70.
168
The Hodoeporican of St. Willibald, by Huneberc of Heidenheim // C. H. Talbot. The Anglo-Saxon Missionaries in Germany. London and New York, 1954. P. 154–155.
169
Видение креста / пер. В. Тихомирова // Древнеанглийская поэзия. М., 1982. С. 83.
170
Ó Carragáin É. Ritual and the Rood: Liturgical Images and the Old English Poems of the ‘Dream of the Rood’ Tradition. London and Toronto, 2005. P. 3.
171
Ibid. P. 201–208.
172
Shapiro M. The religious meaning of the Ruthwell Cross // The Art Bulletin. Vol. 26. No. 4. December 1944. P. 233.
173
Ibid.
174
Руины / пер. В. Тихомирова // Древнеанглийская поэзия. М., 1982. С. 79.
175
См.: Панофский Э. Ренессанс и «ренессансы» в искусстве Запада / пер. А. Габричевского. М., 2006.
176
Эйнхард. Жизнь Карла Великого / пер. М. Петровой. М., 2005. С. 109; ниже С. 113.
177
Lasko P. Ars sacra, 800–1200. New Haven, CT; London, 1994. P. 13.
178
См. Krautheimer R. The Carolingian revival of early Christian architecture // Art Bulletin. Vol. 24. No. 1, March 1942. P. 1–38.
179
Эйнхард. Жизнь Карла Великого. Указ. соч. С. 109.
180
Dodwell C. R. Painting in Europe, 800–1200. Harmondsworth, 1971. P. 141.
181
Mayr-Harting H. Ottonian Book Illumination: An Historical Study. London, 1991. Vol. 2. P. 63.
182
Так называемая Рукопись Юния, названная по имени Франциска Юния, который впервые издал ее в Амстердаме в 1655 году. Broderick H. R. Observations on the method of illustration in MS Junius 11 and the relationship of the drawings to the text // Scriptorium. 37. 1983. P. 161–177.
183
См.: Пополь-Вух / Пер. Р. Кинжалова. М., 1959.
184
Teotihuacan: Art from the City of the Gods. Exh. cat., Fine Arts Museum, San Francisco / eds. K. Berrin, E. Pasztory. San Francisco, CA, 1993.
185
Pasztory E. Teotihuacan unmasked: a view through art // Teotihuacan: Art from the City of the Gods. Op. cit. P. 46.
186
Sugiyama S. The Feathered Serpent Pyramid at Teotihuacan: monumentality and sacrificial burials // Teotihuacan: City of Water, City of Fire. Exh. cat., de Young Museum, San Francisco / ed. M. H. Robb. San Francisco, CA, 2017. P. 56–61.
187
Creamer W. Mesoamerica as a concept: an archaeological view from Central America // Latin American Research Review. Vol. 22. No. 1. 1987. P. 35–62. Испанское слово «Мезоамерика» ввел в 1943 году Поль Кирхофф в Kirchoff P. Mesoamérica, sus límites geográficos, composición étnica y caracteres culturales // Acta Americana. 1. 1943. P. 92–107.
188
Benson E. P. Birds and Beasts of Ancient Latin America. Gainesville, FL, 1997. P. 78.
189
…
190
Benson E. P. The owl as a symbol in the mortuary iconography of the Moche // Arte funerario: coloquio internacional de historia del arte / eds. B. de la Fuente, L. Noelle. Vol. 1. Mexico City, 1987. P. 75–82.
191
Miller M., O’Neil M. Maya Art and Architecture. London, 2014.
192
Coe M. Breaking the Maya Code. London, 1999.
193
Fash W. L. Scribes, Warriors and Kings: The City of Copán and the Ancient Maya. London, 1991. P. 85.
