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де Брюнеля).
269
Carlos Gómez-Centurión Jiménez, 'Etiqueta y ceremonial palatino durante el reinado de Felipe V', Hispania, 56 (1996), 965–1005 (973–4). О приеме жалоб в Бургундии см. Richard Vaughan, Charles the Bold: The Last Valois Duke of Burgundy, 2nd ed. (Woodbridge, 2002), 182–3.
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По словам Эдварда Герберта (1583–1648), см. Life of Lord Herbert, of Cherbury (London 1856), 252. О министре Филиппа IV см. Alistair Malcolm, Royal Favouritism and the Governing Elite of the Spanish Monarchy, 1640–1665 (Oxford, 2017), 42.
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Patrick Williams, 'Philip III and the Restoration of Spanish Government, 1598–1603', The English Historical Review, 88 (1973), 751–69 (753–6).
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«Валимиенто — бич нашей эпохи…» — см. Alistair Malcolm, Royal Favouritism and the Governing Elite of the Spanish Monarchy, 1640–1665 (Oxford, 2016), 13. «Подобием Бога на земле…» — см. Sara Gonzalez, The Musical Iconography of Power in SeventeenthCentury Spain and Her Territories (London and New York, 2016), 93.
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I. A. A. Thompson, 'Castile', in Absolutism in Seventeenth Century Europe, ed. John Miller (Basingstoke and London, 1990), 69–98, 239–43 (241).
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Xavier Gil, 'Parliamentary Life in the Crown of Aragon: Cortes, Juntas de Brazos, and Other Corporate Bodies', Journal of Early Modern History, 6 (2002), 362–95 (372).
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Christopher Storrs, The Resilience of the Spanish Monarchy 1665–1700 (Oxford, 2006), 204.
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Gonzalez, The Musical Iconography of Power, 69.
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Alejandra B. Osorio, Inventing Lima: Baroque Modernity in Peru's South Sea Metropolis (Basingstoke and New York, 2008), 52–3.
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John Leddy Phelan, The Kingdom of Quito in the Seventeenth Century: Bureaucratic Politics in the Spanish Empire (Madison, WI, 1967), 33–7.
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James M. Córdova, The Art of Professing in Bourbon Mexico: Crowned Nun Portraits and Reform in the Convent (Austin, TX, 2014), 169–70.
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European Urology Today, 27, no. 2 (March/May 2015), 4.
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Antonio Cánovas del Castillo, Historia de la Decadencia de España (Madrid, 1910), 617; Pedro Scotti de Agoiz, El Cenotafio: Oracion Funebre en la Muerte del Senor Rey Don Carlos II (Madrid, 1700), 45.
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«Исключительная странность, избыточность и смехотворность…» — см. Marco Bussagli and Matthia Reiche, Baroque and Rococo (New York, 2009), 11, где приведены слова историка искусства Франческо Милиции (1725–1798). О Кроче см. René Wellek in Dictionary of the History of Ideas, ed. Philip P. Wiener, vol. 1 (New York, 1973), 188–95.
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Peter Hersche, Musse und Verschwendung. Europäische Gesellschaft und Kultur im Barockzeitalter, vol. 1 (Freiburg, Basle, and Vienna, 2006), 583.
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Mario Praz, Studies in SeventeenthCentury Imagery, 2nd ed. (Rome, 1975), 16.
285
О солнечных лучах см. Evonne Levy, Propaganda and the Jesuit Baroque (Berkeley, Los Angeles, and London, 2004), 160.
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Christian Kleinbub, 'At the Boundaries of Sight: the Italian Renaissance Cloud Putto', in Renaissance Theories of Vision, ed. J. S. Hendrix and C. H. Carman (Farnham and Burlington, VT, 2010), 117–33 (117–9).
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Trevor Johnson, 'Holy Fabrications: the Catacomb Saints and the Counter-Reformation in Bavaria', Journal of Ecclesiastical History, 47 (1996), 274–97.
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Marc R. Forster, Catholic Revival in the Age of Baroque: Religious Identity in SouthWest Germany, 1550–1750 (Cambridge, 2004), 127–9.
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Apparatus regius, serenissimo ac potentissimo Ferdinando II (Vienna, 1618). См. также Pietas Victrix — Der Sieg der Pietas, ed. Lothar Mundt and Ulrich Seelbach (Tübingen, 2002), xii.
290
Franz Lang, 'Imagines symbolicae', Dissertatio de Actione Scenica (Munich, 1727), 107–54; см. также Cesare Ripa, Iconologia (Siena, 1613); Philippo Picinello, Mundus Symbolicus (Cologne, 1687). Более общую информацию см. в The Sopron Collection of Jesuit Stage Designs, ed. Éva Knapp and István Kilián (Budapest, 1999).
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Charles E. Brewer, The Instrumental Music of Schmeltzer, Biber, Muffat and Their Contemporaries (Farnham and Burlington, VT, 2011), 49–50.
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Peter Davidson, The Universal Baroque (Manchester and New York, 2007), 2; Gauvin Alexander Bailey, The Andean Hybrid Baroque: Convergent Cultures in the Churches of Colonial Peru (Notre Dame, IN, 2010), 18–20, 322–31.
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Leopold Auer, 'Der Übergang des Ordens an die österreichischen Habsburger', in Das Haus Österreich und der Orden von Goldenen Vlies (Graz and Stuttgart, 2007), 53–64.
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Robert F. Rogers, Destiny's Landfall: A History of Guam (Honolulu, 1995), 77; William O'Reilly, 'Lost Chances of the House of Habsburg', AHY, 40 (2009), 53–70 (61).
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Anton Höller, Augusta Carolinae Virtutis Monumenta (Vienna, 1733); о лозунге Ракоци см. Imre Wellmann, 'Az ónodi országgyűlés történetéhez', in Wellmann, 18. századi agrártörténelem. Válogatás Wellmann Imre agrárés társadalomtörténeti tanulmányaiból (Miskolc, 1999), 391–421 (395).
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Об истории Баната см. Irina Marin, Contested Frontiers in the Balkans: Habsburg and Ottoman Rivalries in Eastern Europe (London, 2013).
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Paul Shore, Jesuits and the Politics of Religious Pluralism in EighteenthCentury Transylvania (Aldershot and Burlington, VT, 2007), 117–20; Zoltán Ferenczi, A kolozsvári szinészet és szinház története (Cluj, 1897), 49.
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Tom Standage, The Mechanical Turk: The True Story of the ChessPlaying Machine That Fooled the World (London, 2002), 105–7.
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«Самозаводящаяся машина, живая картина вечного движения…» — см. La Mettrie, Machine Man and Other Writings, ed. Ann Thompson (Cambridge, 1996), 7 (впервые опубликовано в 1747 г.); Geraint Parry, 'Enlightened Government
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